Monthly Archives: July 2008

The lunatics are in the house

Most psychotics are harmless.  Lucky people get to be psychotic without harm.  Musicians do. Music is psychosis without the pain.  Best really listened to alone. But there is a serious point to this.  If there is continuity between the suffering psychotic and the happy psychotic, and both rest on an altered equilibrium between the endogenous dynamic and the exogenous one, then we could learn more by studying the felicitous ones.  Are there mirrors there when they are enjoying themselves?  Do advertisements inhibit enjoyment? What role do the various visible evidences of other similarly constituted dynamics give? It is a huge imaginative step to try to imagine a P-world that is not subjected to the influence of endogenous and exogenous dynamics.  It can’t really be done.  But recognizing this boundary does not rob the individual of autonomy.  Because there is no I in a P-world.  There, there is a boundary that marks the subject-object divide.  It has to do with nervous systems.  It is the mediation between perception and action.   Perhaps here is a way to reconcile personal and public.  The altered equilibrium referred to above is morally neutral. By studying the interface in the happy and the sad lunatics, we will learn more.  The word lunatic is about to get a new definition.  p.s. I now feel silly for thinking badly of people who listen to music in the background while they work.  There is no background.  No foreground either.  Experience is a shape shifter.  This was written along with some excellent Russian modern classical tones.

Addendum, over a year later, I stumble upon this in Charles McCreery’s work:

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Found here.

Exercise: disconnecting

Here’s a handy little exercise you can try at home.  Or near home, because I need you to go to your local supermarket.  The one you shop in most.  Go in, and act you are doing your shopping.  Walk among the familiar aisles.  Now disconnect.   Stop acting like you are shopping.  Become aware of the physical space around you.  Note the volume of the building.  Now look at all the people around you.  Notice how all their behavior is dictated by the supermarket: this communally designed engine.  It tells them where to look.  It plays them like fiddles.  It develops their expectations and weakly satisfies them.  That much is easy.  Now, you just disconnected from the matrix.  You stopped being pushed and pulled around by the memes.  It may surprise you to learn that security are almost on to you at this point.  You will stand out.  Your behavior will register as abnormal.  You are now among the mad.  Retain enough common sense to disconnect where it will not seem weird if you just stand there and look a bit mad.  Have fun, and tell me (stonepharisee@gmail.com) how you get on.

Bring on armageddon!

The Church of the Stone Pharisee demands belief in the rationality of the lunatic.  The ‘delusions’ are none such, but result from a specific relationship between the P-world of an individual and those around him.  They often are being controlled by the ideas.  In hearing voices, they are merely being aware of some of the stuff going on in nervous systems (that annoying repetitive tune: do you own it?).  No wonder its confusing, and the stories come out peculiarly.  Therein lies the lack of the self: the P-world has lost some of its autonomy.

In this regard, I am highly amused to see that that gloriously batty compser, Alexander Scriabin, described Stravinsky as “Apostle” to the “Latin reactionaries”.  I have no ideas who these Latin reactionaries are, and I suspect that they do not constitute a natural kind. Scriabin was entirely incoherent, and that is interesting, because he was standing at an interesting point. He was immersed in a sea of cultural currents, and he dreamed of multimedia performance (Scriabin was a VJ long before there were VJs).  He was probably also a synaesthetic. He had tics as a child and was known for not sitting still (Children, pay heed!).

Before he died, runour has it that he was working on a big light and music job, to be played in the Himalays.  Once played, in the right setting, it would bring on Armageddon.  Anybody fancying having a go?  I’d love to try it out.